Santa Fe Chamber Music 1998; Spanish Village by William Lumpkins,27 in. x 21 in.

• Artist: William Lumpkins
• Title: Santa Fe Chamber Music 1998; Spanish Village
• Frame: None
• Image Dimensions: 27 in. W x 21 in. H

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Brand New, never worn 100% cotton front and back print Authentic MUSE T-shirt.

Do you ever remember your folks or grandparents telling you; "it takes two to tango," meaning that there must be more to the story and more fault of the circumstance to spread around. Often, it was a notification that they were not buying the total story and that the blame ought to be spread around a little bit more. Well, the other day, I got thrown out of McDonalds; why you ask?

Well for food-fighting, but I swear that the guy threw nothing back at me, indeed, the manager did not buy it, and threw us both out. Boy was that guy mad at me, I started and he never threw anything back at me, but the manager throws us both out and said; "It takes two to tango!"

Indeed, it usually takes two to tango, but in reality it was not a food-fight anyway, as the gentleman was simply reading his newspaper and never responded. Now that is a funny true story, but have you ever wondered why it takes two to tango? Let me recommend a book that is quite good and will completely clear this up for you:

"Gotta Tango" by Alberto Paz and Valorie Hart - 2004

This is a really cool book which will teach you dance the Tango in true Argentina style and it comes with a music DVD with music to assist you in feeling the moment. The book is full of subtle tricks to create passion, emotion, and sexy alluring moves. You will be blown away as to just how good you can get using this book. Are you looking for pure romance and learning expert style in the Tango? Look no further, this is it.

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Viva La Vida

Japanese pressing including alternate version of 'Lost!' (alternate version) as bonus track. Coldplay release their fourth album 'Viva La Vida or Death And All His Friends'. The album comprises 10 brand new tracks, recorded in London, Barcelona and New York with producers Brian Eno and Markus Dravs. "Viva La Vida" follows the hugely successful album "X&Y", which has sold 10 million copies since its release in 2005. This first pressing version comes packaged in digipak. EMI. 2008.

A hand drum is a kind of drum that is played primarily with hands other than using any sticks, mallet, hammer or any type of beater. Frame drum, a shallow, cylindrical shell with a drumhead attached to one of the open ends, is one of the early forms of this kind of drums. Tabla, mridangam etc. are the Indian forms of hand drums.

The types of drums vary from place to place. Like in the Middle and near east Tar, tambourine, daf, dayereh, ghaval, tonbak etc. are found. In Africa the most common form of hand drum is djembe, single headed, large drum, which is goblet in shape. Its other African types are ashiko that is similar to djembe that comes in the shape of truncated cone. While Bougarabou drums are made with cow skin heads.

In Latin America, congas and bongos are part and parcel of every kind of Latin American music. Especially Caribbean and South American regions use congas and bongas both in folklore like punta, rumba and popular music like salsa, latin jazz and others. The conga is a tall, narrow, single headed Cuban drum that is commonly played in Congo. The person who plays a conga is called a congureo. Congas are played in five basic types of strokes namely open tone, muffled tone, bass tone, slap and touch. Bongo drums or bongos are two small drums attached to each other. They produce high pitched sounds and are played holding between the knees with the larger drum on the side. They are played by striking the drumheads with the fingers and palms.

In Far East and India tabla, mridangam are an integral part of music. Not to mention ghatams and kanjiras equally accompany the mridangam in Classical karnatatic music. The term tabla is originated from an Arabic word which means drum. The majority of the tabla performers were Muslims, whose habitat was either near or at the center of Mughal cultural centers like Delhi, Lucknow, Allahabad, Hyderbad and Lahore. Initially vocalists and instrumentalists accompanied tabla players. But gradually they developed a tradition of solo performances.

In Europe the Irish Bodhran sometimes is played with the bare hand. A goat skin head is attached to one side, though now a days new materials like synthetic heads or kangaroo skin, are sometimes used. The other side is open ended, so that the hands could be placed in the drumhead in perfect manner to control the pitch and timber. If we peep in history, we will find that the bodhran was used during the Irish rebellion of 1603 as a war drum or battle drum. The drum is usually played in a seated position, held vertically on the players' thigh and is supported by the upper body and arm.

The hang is the modern kind of hand drum that is played with fingers. The hang is played resting on a player's lap or sometimes on a stand. It was the result of many years of research and study of the wide variety of instruments across the world like gongs, gamelan, ghatam, drums, bells etc.

The world of hand drums is really very rhythmic and melodious. With the passage of time the evolution of hand drum seems to bring a sweet note on the technology driven life.

Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, bass guitar gears, drums, hand drum, and synthesizers, keyboards.

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The Special Administrative Region of Macau ( Chinese territory ) won four medals at the 2006 Asian Games in Busan ( South Korea ).

Guo Jingjing is one of the grestest athletes in Asia. She is an Olympic and world champion diver, who was born in Hebei but grew up in Beijing. Unlike many athletes, she hates fame. Guo says, "Entertainers like pop singers, movie and TV stars need attention. Athletes don't..."

The 21st World University Games were held in Beijing, with 165 countries and dependencies participating. There were 6,757 sportspeople. The athletes participated in 12 sports : aquatics, athletics, basketball, diving, fencing, gymnastics, judo, soccer, table tennis, tennis, volleyball and water polo. George E. Killian ( President of FISU) said, "It is with great honor and pleasure that I take this opportunity to welcome you and the more than 6,000 athletes, coaches, and administrators from 165 countries that have gathered here tonight in this wonderful city of Beijing, China for the opening of the largest Summer Universiade in the history of FISU. I first came to Beijing some four years ago at the request of our late President, Dr. Primo Nebiolo, to explore the possibility with the local governmental authorities of hosting a Summer Universiade. Following our initial visit, it wasn't long after that the city of Beijing notified us of its desire to host the 2001 Summer Universiade. The rest is history..."

Zhou Shiming won the silver medal in the light flyweight division at the 2007 World Amateur Boxing Championships in Chicago ( USA ).

Qiao Hong won a gold medal for China in the women's table tennis team event and a bronze medal in the singles at the Atlanta Olympiad in 1996.

China won the gold medal in water polo at the 1978 Asian Games in Bangkok ( Thailand ).

Du Li is an Olympic shooter from Zibo ( Shandong province). She finished first in the air rifle competition in Athens'2004 and first in the same event at the 2006 Summer Asian Games in Doha (Qatar).

Liu Xiang won the gold medal in the 110m hurdles at the 2007 IAAF World Track and Field Championships in Osaka (Japan). The gold medal is one of more than 200 international medals in his career.

This Asian country is the birthplace of wrestling. It has become a popular sport in Asia and Europe.

The best Chinese winter sportspersons are: Han Xiaopeng ( freestyle skiing / Olympic gold medalist, 2006 ), Xianying Liu ( biathlon ), Zhang Dan ( figure skating ), Wang Manli ( speed skating ), Wang Meng ( short track speed skating / Olympic gold medalist, 2006).

China won the silver medal at the 1999 FIFA Women's World Championship in the United States.

Guangzhou will be host city to the 2010 Asian Games.

Lang Ping (volleyball player) was voted China's sportspeople of the year for 1981-82. Under her leadership, the People's Republic of China won three world champions and an Olympic title. She was later made coach of the China volleyball team and led them to glory at the 1986 World Championships in Czechoslovakia (currently Czech Republic / Slovak Republic) . In the 2000s, she won a place in the International Volleyball Federation Hall of Fame.

This Asian country won the bronze medal at the 2002 FIH Field Hockey Women's World Championship in Perth ( Australia ). The medalists were: Chen Qiuqi, Li Aili, Pan Fengzhen, Qi Yingling, Nie Yali, Long Fengu, Chen Zhaoxia, Ma Yibo, Cheng Hui, Liu Yanli, Huang Junxia, Fu Baorong, Li Shuang, Tang Chunling, Zhou Wangfeng, Zhang Haiying, Chen Xiaolan, Hou Xiaolan.

Chuang Tse-tung ( table tennis player ) won the men's singles titles of the world championships three times (1961, 1963, 1965).

China finished in ninth place at the 1990 FIBA Basketball Women's World Cup in Kuala Lumpur (Malaysia).

Shangai will host the 2011 FINA World Championship.

Yao Ming is one of the pioneers of basketball players in the People's Republic of China. He put China on the map when was one of the most valuable players in the NBA. For this reason, he was the flag bearer of the Chinese Olympic team at the 2004 Athens. Yao was born on September 12, 1980 in Shangai.

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Rosetta Stone V3: Spanish (Latin America), Level 1, 2 & 3

Why is Rosetta Stone the world's No. 1 language-learning software? Because it works.

Escape the endless tedium of translation, memorization, and grammar drills. Get the language you want, the skills you need and the success you deserve by learning a new language naturally--the same way you learned your first language.

You learned your first language without translation.
You learned your first language easily and naturally by connecting words to objects and events around you. With Rosetta Stone, learn a new language the same way: using native speakers and thousands of real-life images to help you think in the new language from the very beginning. Studies show that learning exclusively in the new language, without translation as a crutch, is crucial.

The exclusive Dynamic Immersion method reinforces your natural language-learning skills with award-winning instructional technology. Identify your learning goals, then choose customized courses that take you there.

	The complete immersion environment puts your native language-learning skills to work, eliminating your dependence on tedious translation and rote memorization.

	Images		Intuition
	In Rosetta Stone you learn the meaning of new language from clear, real-life images. In this activity you learn colors.		You advance using language you've learned and clues from new images. That's your intuition at work. Now that you know colors, you can easily grasp the meaning of the new words...
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I purchased this for my college-aged daughter so that she could become proficient in Spanish. This has given her the practice she needs that the classroom (high school) did not.
Customer Review: Great Addition to School Learned Spanish
I took 17 hours of Spanish during my undergraduate degree, but could not speak Spanish. I could read Spanish, but I could not understand it when spoken. Rosetta Stone takes a different approach to teaching Spanish than my university. It has made understanding and speaking Spanish within my reach. I had a strong vocabulary base, but Rosetta Stone has helped me to be able to speak and use this vocabulary in everyday conversation. This is a great complement to any Spanish curriculum. It is a wonderful option for those who couldn't learn Spanish "the old fashion way."

Ringtones are big business. The Yankee Group announced that over the last five years, these musical tones have sent people literally singing to the bank, with a total revenue of $2 billion since 2001, and $50 million in one year alone.

The figures show how popular ringtones have become among cell phone users, who download the files to personalize their caller functions. They can pick from millions of songs, from the latest hit R&B single, to quirky sounds like cows mooing, to the classical pieces of Ludwig van Beethoven. Technological development has also made the audio quality of the ringtones much more realistic. From the ear-piercing, tin-like sounds of the first downloadable tunes, todays music pieces have a near-radio quality. You could dance to it, except youd look pretty silly shaking your booty while taking a call.

Unfortunately, the realistic quality of the musical pieces have raised a few ethical issues, namely violation of copyright. Since the sound of the ringtones and the sound of the actual songs are so close, record companies are saying that they count as reproductionsand because of that, they should pay some kind of royalty to the labels and the singers.

In a celebrated case, rap artist Eminem filed injunctions against five ringtone companies, supposedly because they had used his songs without his prior consent.

Some would argue that the ringtones only use ten seconds, maximum, of the actual song. How long should a snippet be before it becomes copyright infringement? Nokia representative Matthew Courtney believes that it has nothing to do with length. "Every reproduction of a musical excerpt involves payment of copyright fees to the copyright owner," he says.

There are some songs that fall beyond this rule, such as those that fall into public domain: classical pieces, national anthems, and yes, a cow mooing. (To date, there are no records of cows suing any major ringtone company.) Others still require the permission of the artists, and may even be subject to royalty fees.

Luckily most artists are not that inclined to sue, seeing the ringtones as a way of promoting their music, and perhaps a compliment to their own popularity. In a way, being immortalized in a ringtone has become a gauge of how ones music has infiltrated public consciousness. Besides, nobody actually downloads a ringtone as a replacement for an actual record. A real fan would want more than a ten second recording out of a three minute song, although would probably use that snippet to announce to the world, Hey, this tune rocks.

However, trends do indicate that fans may actually be willing to pay for their polyphonic ringtones. Music label EMI representative Jay Samit estimates that the earnings form ringtones could contribute as much as 10% of the record industrys total revenues. Apparently, the appeal of ringtones is that strong people arent just downloading it because its free, but because its a valued feature.

Of course, many polyphonic ringtones still allow people to download the tunes for free, generating their revenue from ads instead. Others use a mixture of the two business models, offering some for free (or a weekly rotating list) while requiring a small download fee for premium ringtones.

Either way, lawsuits notwithstanding, the fact is that ringtones are here to stay.

Polyphonics.eu.com provides fully licensed polyphonic ringtones as well as all the latest real tones.

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Eleven/21

New parents love especially beautiful baby names and their meanings, above all when the time comes to name their own baby. Parents want their child to stand out from the crowd. Often, a rare name expresses the beauty or talent they see in their own child. So today, we will take a look at some outstanding baby names.

Here are 14 baby boy names and baby girl names that have great strength and beauty. Many come from mythology, poetry and nature. Others come from place names.

Unusual Baby Boy Names

Booth (German) means "protector." A famous bearer of this name was Booth Tarkington, the great American writer.

Bret (English) means "man from Brittany." This name was made famous by the television series, "Bret Maverick," as well as by American writer, Bret Harte.

Frazier (Scottish from French). This comes from a place name meaning "place of ash trees." The television show,"Frazier," boosted the popularity of this name.

Sebastian (Greek) means "majestic." This name was borne by Saint Sebastian. Modern bearers of this name include actor, Sebastian Cabot, and runner, Sebastian Coe.

Titus (Latin) means "heroic." This name was made famous by the Roman emperor, Titus. Tito is the Spanish form of Titus, as in Tito Puente, the musician.

Vitus (Latin) means "life." There is a Saint Vitus. This name was made famous by the great tennis star, Vitus Gerulaitus.

Zane (Latin) comes from the name "John," meaning "God has favored." The American writer, Zane Grey, wrote many western adventure books.

Unusual Baby Girl Names

Callista (Greek) means "most beautiful." The well-known actress, Callista Flockhart, bears this name.

Delphine (Greek) means "coming from Delphi" (home of the Delphic oracle). Actress Delphine Seyrig bears this name.

Farrah (Arabic) means "joy." This name was made famous by actress Farrah Fawcett.

Keisha (American) means "dark-eyed." This name was made popular by actress Keisha Castle-Hughs, and basketball star, LaKeisha Taylor.

Minerva (Latin) means "bright" as well as "mind." In mythology, Minerva is the goddess of wisdom.

Tabitha (Aramaic) means "a gazelle." This name become popular through the television fantasy series, "Bewitched."

Zara (Hebrew) means "glorious dawn." Zara is the daughter of Princess Anne and Captain Mark Phillips of Great Britain.

Most parents become very creative when it comes to naming their baby. They look for celebrity names, as well as names of heroes and heroines in literature and art. Most of all, they look for especially beautiful baby names and their meanings - just like the ones we have seen above.

Benedict Manovill creates name scrolls for you. A leading name historian and calligrapher, his works are in collections around the world. Claim your personalized name scroll and receive a free treasured gift. For more information, visit http://www.giftscrolls4u.com

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X & Y - South East Asia Tour Edition

Contains two discs; a CD and a DVD with 12 audio tracks total.

Music is undoubtedly a form of communication and/or expression. Coincidently, the skills of improvisation are certainly related to the dexterity and formalities that are imperative to accomplishing your role as a communicator. Therefore, as you are preparing to become a musician, improvising will firmly assists with your development of the overall perception and understanding of musicianship.

Improvisation often focuses on the recognition of one's personal awareness, into the present moment. The skill also enables the development of a profound understanding of the action that one is currently displaying. Once you are aware and understand the concept, you will be provided as the practitioner with a sense of belief and accomplishment.

As a practitioner you will display pure confidence in which you are able to execute with a range of options that best conforms to the current situation regardless of previous successes or failures. Quite frankly, the practice of improvisation symbolizes acting and reacting, making and creating of "in the moment" response to the stimulus of one's immediate environment.

In music, specifically, improvisation is spontaneous composition. The performer is challenged by performing music that is composed at the spur-of-the-moment. This is usually achieved through solo or cadenza. Improvisation has actually dominated in Jazz musicals. The challenge of improvisation is not to be confused or compared with technique. The two concepts are different in that improvisation is described as a creative performance art.

On the other hand, technique or sight reading is a reconstructive process. It is noted, however, that as both technique and improvisation require that you react immediately to any changes needed to the music in response to stimuli, they do demonstrate primary differences. Namely, the process is executed externally for successful sight- reading and internally to execute improvisation. Furthermore, they both are greatly enhanced by a strong musical knowledge base.

As a musician, you will be able to identify how your audience is responding to you. You can use specific musical "cues" to communicate with the audience during a performance. Furthermore, during the performance, the initial musical piece may be altered to establish an emotional connection. Subsequently, you will have succeeded in the art of improvisation. Improvisation can take place as a solo performance or interdependently with an ensemble with other players. When done well, improvisation often elicits gratifying emotional response from the audience.

Musical improvisers often understand the language of one or more musical styles such as blues, rock, folk or jazz. In order to be successful, you must realize that practicing this art is intense and requires great focus. The musicians are expressive in that they have the ability to precisely illuminate creativity and originality. To successfully explore different methods of creating your own music, you should experiment in low- risk situations. You must listen carefully for your feedback to discover what does and does not work well. This will assist you in gaining valuable experience. Making your own music requires you to focus through relaxation, listening and ultimately learning.

To get started you must simply experiment with a variety of melodies, rhythms and moods. Of course, melody is the variation of the basic theme of music. To use improvisation to alter the melody you must attempt to change some of the original notes of the main theme. You will also be able to improvise the harmony as well as the rhythm. The rhythm, for example, simply requires you to experiment with the notes by making them longer or shorter or adjusting the tempo by making it slower or faster. Incidentally, very few musicians have ever risked presenting fully improvised concerts. However, there was one successful attempt by Keith Jarrat.

Techniques of improvisation are widely trained in the entertainment arts, such as music, theatre and dance. It can be expressed across all artistic, scientific, cognitive, physical, academic and non- academic disciplines. Musical improvisations require active listening and perseverance.

Basically, it is the creation of music in the real time. "Real time" is developed by listening carefully while enjoying and inevitably discovering the skills and techniques of improvisation. It usually involves focus and advanced preparation especially when there is more than one performer. Subsequently, improvisation results in a composition, a creative discovery.

More so, as the composition is reiterated over time in the same form, it becomes quality and pleasant music to its listeners. Therefore, with the establishment of a composition, all skilled composers are skilled improvisers. Perhaps, to study the skills and techniques of improvisation will encourage and enhance your pursuit for musicianship. Thus, the idea of executing an improvisation in a fixed musical form has always held attraction.

Kevin Sinclair is the publisher and editor of MusicianHome.com, a site that provides information and articles for musicians at all stages of their development.

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There are a total of eight swing dance clubs located in and around the St. Louis area (including M.U.S.I.C. in Collinsville, Illinois) that are members of the Midwest Swing Dance Federation, and all of these clubs are descended from the St. Louis Imperial Dance Club that was founded in 1973. The largest of these sister clubs, the West County Swing Dance Club, has the distinction of being one of the largest swing clubs in the United States with an active membership that totals more than a thousand dancers.

Imperial Swing got its name from the Club Imperial located at Goodfellow Boulevard and West Florissant Avenue. The building, originally called Imperial Hall, was built in 1928 as a dance hall, bowling alley and restaurant/bar complex. In the 1930s and 1940s, it was the dance spot of Northwest St. Louis, just as Arcadia (later called Tune Town), the Admiral Showboat in Midtown, and the Casa Loma on the Southside, were the most popular dance halls in their respective areas. In 1952, George Edick Enterprises purchased Imperial Hall and George Edick renamed it the Club Imperial. During the early part of that decade, he operated the club as a ballroom with the theme of "a nice place for nice people." He played "big band" music and catered primarily to private parties. He was able to regularly book guest appearances with popular performers like Stan Kenton and Louis Prima because Robert Hyland, of CBS and KMOX radio, broadcast his weekly "Coast To Coast with Bob Hyland" program from the Imperial Ballroom.

During the late 1950s and early 1960s, Edick realized that the country's taste in music had shifted to "Rock 'n Roll" and he used his advertising-public relations firm, to aggressively promote the Club Imperial on KWK, KXOK, WIL and WGNU. The Joe Bozzi Quintet, Jimmie (Night Train) Forrest, Chuck Berry, Dolly Parton, the Monkeys, Glen Campbell, Ike and Tina Turner and a small vocal group now called the "Fifth Dimension" are among the many artists who began their careers at his club. He promoted a "Jitterbug" contest where a couple from the Club Imperial (Teddy Cole and Kathy Burke) won the National Jitterbug Championship. During the "Rock 'n Roll" craze, Edick held Tuesday "Teen Night" dances, and it was during these weekly dances that a jitterbug variation that became known as the "Imperial Style" of St. Louis swing was born. As the 60s progressed, music trends were changing again. The 'roll' started dropping out of "Rock 'n Roll," the 'rock' got harder, and the teenagers increasingly attended loud, psychedelic music concerts. Because the freak-out beats of their acid rock music was almost impossible to dance to, Edick gradually discontinued all public dances at his club.

In the 1970s, George Edick wanted to reintroduce more listenable and danceable music at Club Imperial and he found that hosting swing contests was just the ticket! He got together with Teddy Cole, the Jitterbug champion who was also a dance promoter in his own right, and they decided to sponsor a yearly St. Louis Jitterbug Contest "Imperial Style" to pick a "City Champion." These widely publicized contests prompted many of the older, experienced dancers to come around the club again, and Edick sponsored a number of "Salute Dances" to introduce these old timers to the newer dancers. As more and more people began learning the Imperial, they began organizing into small dance groups that met in apartment complexes around the St. Louis area, and George Edick kept in touch with many of their leaders.

In 1973 Al Morris conceived the idea of forming a club, and it was his group that first met at the San Miguel apartments in St. Charles which became the St. Louis Imperial Dance Club. The founders are: Dave Cheshire, Jan Cheshire, Rick McQueen, Joan Fritz, Debbie Dustman (Wheelis) and Veronica Lynch. The new club alternated their dances between Lynch's apartment complex in South County and the Wood Hollow apartments in West County. Edick contacted the Board and he told them that he was very interested in helping their club to fulfill their mission to keep swing dancing alive. The great promoter convinced them, with a persuasive new adaptation of his original 1950s theme, that their growing club should hold their future dances at his Club Imperial ballroom because it's "a nice place for nice people who like to swing dance!"

Good mottos never die but unfortunately people do, and on June 11, 2002 George Edick passed away. The building is silent now but it stands, not only as a landmark where Imperial Swing all began, but also as a tribute to a man who, over his colorful, eighty-six-year lifetime, was able to convert his dreams into reality . . . not a bad epitaph!

Copyright 2008 Skip Culver, Certified Swing Instructor. Member of the West County Swing Dance Club and author of the manual: "Imperial Swing Dancing" (visit: http://www.ImperialSwing.com)

Henry H. "Skip" Culver, Jr. is a member of the West County Swing Dance Club in St. Louis Missouri. He is a Gold Seal Instrument Flight Instructor and the author of the bestselling book on navigation titled: IFR 'Pocket Simulator' Procedures. In 2000 Skip turned his attention from aviation towards the dance floor. He became a Certified Swing Dance Instructor in 2004, and then with over seven years of detailed notes from various classes and workshops in hand, he began assembling the Imperial Swing Dancing manual which he published in June of 2007. Skip is a frequent contributor of articles on swing dancing to different club newsletters throughout the United States.

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Can you talk to people without first memorizing what to say? Probably you can. Can you create melodies and nice licks to chords on the spot. Many pianists find this harder. Let's try out a few ways to improve your improvisations!

Put something in to get something out

Piano improvisation is a form of composing. In other words you are creating music.

In order to improvise in an intelligent manner and not only play random notes you have to listen to improvised music and practise on your piano in a manner that will help you create music when you improvise.

There are many ways to practise improvisation but let's start with playing a few licks over the II-V-I progression in the key of C.

In this exercise you will improvise melodic patterns with your right hand and play chords with you left.

The note C4 is the middle C on the piano and D4 is the D to the right of this C. B3 is the B note to the left of C4.

We will start with the Dm chord in the left hand. Dm is the II chord in C. We will play it in its basic form:

Dm: D3 F3 A3

With the right hand it's time to play patterns that fit this chord. For example:

F4 A4 C5 E5 D5 C5 A4 F4

We will now play the V chord which will come next in the II-V-I progression. In C-major this will be G. It can be played as follows:

G: B2 D3 G3

An continuation of the melodic flow in Dm could be:

E4 F4 A4 C5

We will now end on the I chord which will be C in the key of C-major. In it's basic form it looks like this:

C: C3 E3 G3

We will end the melody by playing the note B4. This makes the whole ending to a Cmaj7 chords. Sounds nice, doesn't it!

We will continue this piano improvisation lesson by trying out a few more possibilities with the same piano chord progression for your right hand improvisations:

Piano progression 1

Dm: E5 C5 A4 F4

G: D#5 B4 G#4 F4

C: D5

Piano progression 2

Dm: F4 A4 C5 E5

G: F4 G#4 B4 E5

C: D5

Piano progression unlimited

Of course there are unlimited possibilities so now it is time to jump into the unknown by experimenting and inventing melodies with your right hand as you play the progressions in the left hand.

What do you learn by practicing piano progressions?

You learn patterns that you can use in different contexts as you improvise. You learn different chords that can be implemented in your piano playing.

Most importantly, you learn to improvise. Improvisation is a bit of memorized fragments and a lot of just jumping into the unknown and do something about it.

The end result is hopefully a bit of music to the benefit of the people in the world.

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free piano sheet music and learn to play resources at http://www.capotastomusic.com

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