Tuesday, August 12, 2008

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Centuries old Kerala Dance Forms are noted for the variety, youthfulness and charm. Some Kerala dance forms like Kathakali is world renowned, and a dance form Koodiyattom is recognized by UNESCO as human heritage art. All Kerala dance forms and dance forms of India are based on the instructions of 'NatyaSastra', the science of acting, which can be attributed to Sire Bharata who lived some 20 centuries ago. He described 'navarasangal' or the nine emotions viz. Sringaram (Love and seduction), Roudram (Aggressive), Hasyam (Humorous), Bhayanakam (Frightening), Veeram (Courage), Karuna (Compassion), Adbhutam (Wonder) and Shantam (Peace). Kerala dance forms seem to draw a narrow line between male and female performers.

The main dance forms of Kerala are:

Kathakali: This is divine dance form of Kerala, noted for the minute expression of emotions and colorful costumes. Kathakali is considered the art of Gods, and epical episodes are performed as a play. In earlier times it took many days for the completion of a play. Expression of emotions and narration is based on 'Mudras' or hand signals, and facial expression of navarasa, the nine emotions. Traditionally only men performed this Kerala dance form and they dressed like women for female characters usually Goddesses.

The costumes are heavy and it almost takes a full day to complete the make-up process. Characteristic masks, crowns and attire more than double the size of the performer.

Mohiniyattom: This Kerala dance form literally means the dance of an enchantress. Mohini means the women who tempts and Aattom means dance. Attired with white or ivory dress with golden borders, the dancer takes a majestic look. Mohiniyattom is noted for the slow movements and highly emotive eye gestures. The origin of Mohiniyattom is attributed to Lord Vishnu, who impersonated as Mohini (an enchanting woman) to seduce Asuras and take back Amrit, the medicine that gives immortality from them.

Mohiniyattom was performed in Kerala temples and palaces of Kerala.

Koothu (Chakyar Koothu): This Kerala dance form is performed only in selected place called Koothambalam associated with Kerala temples. Koothu in Malayalam means dance. Only members of the 'Chakyar' caste perform this.

Koodiyattam: This dance form of Kerala is the oldest of its kind and was evolved in the seventh century AD. It is an offering to deity. Mythological themes are played.

Theyyam: There are more than 300 variations for this Kerala dance form, which is characterized by the praising of Goddess for her victory over evil forces. Female roles are also handled by men, who wear colorful ritual attire for performing this temple dance form. The headgear and attire are both colorful and attractive.

Thiruvathira or ThiruvathiraKali. This is a dance performed by women on Thiruvathira day of the Malayalam month, Dhanu. Eight to 12 women of any age circles around a 'nilavilakku', a traditional oil lamp with many wicks, for Thiruvathira Dancing. It is believed to bring blessings to their family life.

The Myth Behind this unique Kerala Dance Form:
Rathi Devi, Goddess of love regained the life of Kamadeva, the God of Love who was charred to ashes by the fearsome anger of Lord Shiva. Rathi Devi successfully made a case with Lord Shiva to give Kamadeva his life. Thus ThiruvathiraKali represents the fidelity of marital relation and determination of female soul.

Oppana: This dance form is the peculiarity of Malabar Muslim weddings in Kerala. On the wedding day eve, friends and relatives (mainly young maidens) throng around the bride, clapping their hands and dancing to some nice music. The songs are usually called as Mappilappattu. Through the songs, the young women tease the bride and bless her for the happiness in her new life. Oppana is a performed as a stage item also.

Kolkali: This Kerala dance form belongs to the agrarian classes. Kolkali literally means playing with stick. Men bear short sticks on each hand. The dancers harmoniously move around in circles, form different combinations, dance and rhythmically strike two short sticks. This is an exclusive item for men.

Krishnanattom : Krishnanattom is almost an extinct dance form of Kerala. One dance is completed over eight days, and is characterized by rich colors, big masks, and thick facial make-ups. Krishanattom as the name suggests is the play on the life of Lord Sri Krishna. Krishnattom resembles Kathakali.

Dev Sri provides Kerala tour and travel information through The Kerala Tourism website. Check out the website to find cool places, genuine Ayurvedic centers and Kerala travel packages.

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X&Y

The Absolute, Ultimate Collector's Edition of the British Band's Third Chart Topping Hit Album.this Limited Edition Issue Includes a Bonus Dvd with Six Bonus Songs (All Taken from the Backing Tracks of Three Singles Released in Conjunction with this Album): "Things I Don't Understand", "Proof", "The World Turned Upside Down", "Pour Me (Live at the Hollywood Bowl)", "Sleeping Sun" and "Gravity". Then, the Disc also Includes the Promotional Videos of all the Singles: "Speed of Sound", "Fix You", "Talk" and "The Hardest Part". Get Your Order in Quickly to Make Sure You Don't Miss this Very Special Package.
Customer Review: A good album with excellent bonuses
At this price you have to really like Coldplay. This is not their best album but great nonetheless. I will always enjoy Parachutes the most. This edition of X&Y includes the videos for "Fix You," "Speed of Sound," "The Hardest Part," and "Talk". It also includes two exclusive B-sides: "Setting Sun" and "Gravity". "Setting Sun" is actually a very good song. It's a shame it doesn't get more recognition. Did I mention the songs come in DVD-audio? Overall, this is a must-have for any hardcore Coldplay fan. All others can pass.
Customer Review: Best ever
This is my favorite CD ... I have listened to it over a 100 times! I am not tired of it. Great music!!!




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Differences are inevitable when two or more persons come together. It would be pointless and boring for two or more to come together if there are no differences. Some differences are pleasant; others can be disconcerting. Differences can accelerate to disharmony, conflict, competition, or war.

While a reasonable amount of conflict can be creative and enriching, conflict that is not properly managed can be harmful. Interpersonal conflicts as contrasted to conflicts of ideas or principles are in special need of careful management. Viewing conflict or disharmony as the expression of differences can help to take the fear from conflict. Of course, if it is a heated or emotionally charged conflict, just re-naming it is unlikely to defuse the charge. But it may be enough for you to find your place of harmony in the conflict.

Living in conscious harmony is like playing in a symphony and knowing that we are playing in a symphony. At any given moment, our section of the orchestra may be in temporary harmony or temporary disharmony. Both group members and musicians must have the conscious intention to strive for harmony without being discouraged by the momentary notes of disharmony that add interest to the experience.

The symphonys composer wrote a score which the conductor interprets and the musicians play with different instruments, in their own style, according to their ability. At some times, we are more aware of one instrument than another. Or we hear a solo or a duet.

When we listen deeply to the music, we notice space between the notes: rhythm. Colors and tones and volume add texture and interest: timbre. We have different responses to different parts: feelings.

Satisfaction increases when everyone in the orchestra reads at the same place on the same sheet of music. At some times, its important for a musician to play softly to blend with the rest of the sounds and add texture. At other times, its important to play loudly, even being the center of attention. Rhythms might change, even in the middle of a piece. Sounds might fight with each other to heighten drama before leading to resolution.

Joy happens when everyone perceives the symphony as all One, with each instrument playing an important part. In order to live in conscious harmony, we must embrace the concept that we are all One. Comparing the interactions of individuals in groups to a the interactions of musicians in a symphony or an orchestra can be powerful.

What is the song you will sing or the dance you will dance or the instrument you will play today?

Copyright 2005 Marshall House. All rights reserved. You may save this article, send it to a friend, or reprint it in your online publications, provided the article remains complete and this information is attached. Voice of Jeanie Marshall http://www.jmvoice.com and JMviews Empowerment http://www.jmviews.com

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