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Francina "Fanny" Elsje Blankers-Koen won four gold medals in the 100m (11,9s), 200m (24,4s), 80m hurdles (11,2s / world record) and 4x100m relay (47,5s) at the 1948 Olympic Games in London. In the 1930s and 1940s,she set 33 national records and 12 world records. Fanny finished 6th in the high jump at the 1936 Olympics in Germany. She also won 5 European titles. This great woman was born on April 26, 1918 in Lage Vuursche, Holland.

The American Virgin Islands sent 2 sportswomen to the 1988 Winter Olympics in Calgary (Canada).

The Soviet Union -currently Russia- won the FIVB Volleyball Women's World Championship in Paris (France) in 1956. Final standings: 1.USSR; 2.Romania; 3.Poland; 4.Czechoslovakia; 5.Bulgaria; 6.China; 7.North Korea; 8.East Germany; 9.USA; 10.Holland.

Nancy Vallecilla (Ecuador) finished 28th in the 100m hurdles at the 1988 Olympic Games in Seoul, the capital city of South Korea. In the 1970s and 1980s, she was one of the best female athletes of South America.

The team of Norway won the second edition of the FIFA Women's World Cup. Led by Ann-Kristin Aarones ( the best football player), Norway defeated Germany 2-0 in the final.

The Peruvian women's volleyball team won the silver medal at the 1987 Pan American Games in Indianapolis (Indiana, USA). The silver medalists were: Diana Uriol, Gabriela Perez del Solar Cuculiza, Janeth Vasconsuelos, Luisa Cervera, Alejandra de la Guerra, Cecilia Tait Villacorta, Rosa Garcia, Denisse Fajardo,Gina Torrealba, Natalia Malaga, Sonia Heredia. They were coached by Man Bok Park (South Korea), one of the best coaches of the world.

The Australian women's field hockey team won the gold medal at the 1994 World Cup. Final standings: 1.Australia; 2.Argentina; 3.USA; 4.Germany; 5.South Korea; 6.Holland; 7.China; 8.Spain; 9.England; 10.Canada; 11.Ireland; 12.Russia.

Lida Fariman was the flag bearer of the Iranian Olympic team at the 1996 Olympic Games. Who is Lida? She is one of the best shooters of Iran.

The U.S. women's basketball team won the FIBA World Championship in 1957. This was its second successive world title. Final standings: 1.USA; 2.USSR; 3.Czechoslovakia; 4.Brazil; 5.Hungary; 6.Paraguay; 7.Chile; 8.Mexico; 9.Argentina; 10.Australia; 11.Peru; 12.Cuba.

Israel sent 8 sportswomen to the 1984 Olympic Games in Los Angeles (California,USA).

Ghada Shouaa is regarded by the Syrian Olympic Committeee as the first Syrian Olympic champion. Ghada finished first in the heptathlon at the 26th Olympic Games in the United States. She was ranked first in the world having competed at the IAAF World Championship in 1995, where she won a gold medal. Like Hassiba Boulmerka (Algeria/ Olympic gold medalist, 1992) and Nawal El Moutawakel (Morocco/ Olympic gold medalist, 1984), she is one of the greatest Arab female athletes of all time. Ghada was born on September 10, 1972 in Muhardeh (Syria).

The Russian women's handball team won the World Championship in 2001. There were 24 teams. Final standings: 1.Russia; 2.Norway; 3.Yugoslavia; 4.Denmark; 5.France; 6.Hungary; 7.Austria; 8.Sweden; 9.China; 10.Holland; 11.South Korea; 12.Italy; 13.Slovenia; 14.Spain; 15.Angola (Africa); 16.Brazil; 17.Romania; 18.Ukraine; 19.Tunisia; 20.Japan; 21.Macedonia; 22.Congo (Africa); 23.Uruguay; 24.Greenland (Danish territory).

Diane Bui-Duyet (New Caledonia/ French territory) was named as the female swimmer of the South Pacific Games in 2007. She had a big performance in the 100m butterfly.

Nigeria sent six female athletes to the 1972 Olympic Games in Munich (West Germany).

Brazil is one of the best volleyball teams of the world. It has notable volleyball players such as Isabel Barroso Alencar, Ana Mozer, Marcia Cunha, Fernanda Venturini, Ericleia Bonziack, Vera Mossa and Sandra Survagy.

History:

1951: South American Championship-1st place

1955: Pan American Games-3rd place

1956: South American Championship-1st place

1958: South American Championship-1st place

1959: Pan American Games-1st place

1960: World Championship-5th place

1961: South American Championship-1st place

1962: South American Championship-1st place ; World Championship-8th place

1963: Pan American Games-1st place

1967: Pan American Games-4th place

1969: South American Championship-1st place

1970: World Championship-13rd place

1973: World Cup-9th place; South American Championship-2nd place

1974: World Championship-16th place

1975: Pan American Games-5th place; South American Championship-2nd place

1977: South American Championship-2nd place

1978: World Championship-7th place

1979: Pan American Games-3rd place; South American Championship-2nd place

1980: Olympic Qualification Tournament-3rd place; Olympic Games-7th place

1981: World University Games-3rd place; South American Championship-1st place; World Cup-8th place

1982: World Championship-6th place

1983: World University Games-1st place; South American Championship-2nd place; Pan American Games-4th place

1984: Olympic Games-7th place

1985: World Cup-6th place; South American Championship-2nd place

1986: World Championship-5th place

1987: Pan American Games-4th place; World Junior Championship-1st place ; South American Championship-2nd place

1988: Olympic Qualification Tournament-2nd place; Olympic Games-6th place

1989: South American Championship-2nd place; World Junior Championship-1st place

1990: World Championship-7th place

1991: South American Championship-1st place; Pan American Games-2nd place; World Cup-8th place

1992: Olympic Games-4th place

1993: South American Championship-2nd place

1994: World Championship-2nd place

1995: World Cup-2nd place; South American Championship-1st place; Pan American Games-6th place

1996: Olympic Games-3rd place

1997: World Cup-3rd place; South American Championship-1st place

1998: World Championship-4th place

1999: Pan American Games-1st place; World Cup-3rd place; South American Championship-1st place

2000: Olympic Games-3rd place

2001: South American Championship-1st place; World Junior Championship-1st place

2002: World Championship-7th place

2003: World Cup-2nd place; Pan American Games-4th place; World Junior Championship-1st place

2004: Olympic Games-4th place

2005: World Cup-1st place; World Junior Championship-1st place

2006: World Championship-2nd place; American Cup-1st place

2007:World Cup-2nd place; Pan American Games-2nd place; World Junior Championship-1st place ; American Cup-2nd place

Alejandro Guevara Onofre: He is a freelance writer.Alejandro is of Italian, African and Peruvian ancestry.He has published more than seventy-five research paper in English, and more than twenty in Spanish, concerning the world issues, olympic sports, countries, and tourism. His next essay is called "The Dictator and Alicia Alonso".He is an expert on foreign affairs.Alejandro is the first author who has published a world-book encyclopedia in Latin America.

He admires Frida Kahlo (Mexican painter), Jos Gamarra (former president of the Bolivian Olympic Committee ,1970- 1982), Hillary Clinton (ex-First Lady of the USA), and Jimmy Carter (former President of the USA). Alejandro said: "The person who I admire the most is Jos Gamarra . He devoted his professional and personal life to sport. Jos played an important role in the promotion of Olympism in Bolivia -it is one of the Third World`s poorest countries- and Latin America. His biography is interesting".The sportspeople he most admire is Olympic volleyball player Flo Hyman. "This African-American sportswoman is my idol..."

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Gigging is probably one of the most enjoyable activities a musician can experience. There is always something special about performing in front of a live audience. The sound of a crowds appreciation when you have just ripped up the stage with a great performance of your best tunes. There is just nothing like it. But what happens when things dont go exactly as planed? And what happens when things fail miserably? If you have ever gigged I am sure you are familiar with Murphy law: If things can go wrong, they probably will. I have had experiences like: amps blowing up, guitar strings breaking, stolen fuses in my amp, bad cords, out of tune guitars, ect... These things happen to all bands and what makes the difference between a professional and an amateur is how you deal with these problems. You need to do some preplanning and put together a a Musicians First Aid Kit. When a problem does occur, you will be prepared to quickly fix the problem and get on with your show.

Guitar/Bass Strings

Get at least one extra set for each guitar or bass you have at the gig. If you pop a string you will be prepared to replace it. Remember this golden rule for guitars and basses: Never step on stage without a properly tuned backup guitar or bass. If you have any problems with your main ax all you have to do is pick up your backup and fix the problem on your next break.

Cords

Get a complete second set of cords. This includes patch cords and mike cables.

Batteries

Go through all of your gear and make a note of all of the batteries you use. Get backups for everything and make sure the backups dont sit and go dead before you replace them. Consider some type of preventative maintenance schedule so you can keep track how long batteries are in use and when they need replacement. Dont forget about the guitar tuner!

Fuses

Again go through all of your gear and make a note of all the proper sizes of your fuses. Get some type of small segregated box and label the top with the current ratings for the fuses (1A, 5A ect...). Never put a fuse that has a higher current rating in your amp or gear. There is a reason the manufacture put that size fuse in your system. Never, Never wrap a fuse with tin foil to bypass it! If your fuses keeps blowing, you have a short in this gear and by putting a larger fuse or bypassing it all together you may completely blow it up which will will cost you plenty to repair. Also I should mention that by bypassing your fuse you run the risk of electrocuting yourself! Never under any circumstanceses bypass your fuses!

Drummers

Get a spare snare drum. If your snares let go just replace the whole drum with the spare and repair your main snare at break. Bring many extra sticks. I played with a drummer once that didnt bring enough sticks to a gig one night. He had to play the last half of our set with a screwdriver! Needless to say he had to replace all of his drum heads after this gig! Bring some spare hardware and also get another kick drum pedal. Some spare drum heads are always a good idea and make sure to bring a set of tools.

Keyboard Players

What would happen if your main synth went out? Maybe you could program your second synth with similar sounds. I know it wont be perfect but it will get you through the gig.

Singers

Do you have a spare mic? If not you should pick one up. I recommend a Sure 58. They are not very expensive and are reliable for a great backup if not a main mic.

Horn Players

Since I dont play horns I cant comment too much however I can recommend that you think about what could go wrong with your instrument. What could you do if it failed during a gig? Again a backup might be a good idea.

Amps

If you use an amp in your performance and it fails what could you do? A small spare is a good idea. Guitar players can use a guitar processor as a backup amp and it can be plugged directly into the PA. Again I know this wont sound perfect but it will get you through the gig. Bass players have it easy if their amps go out. Plug directly into the PA. If you play bass you may want to consider buying a direct box specifically for that purpose. Same goes for keyboard players, plug directly into the PA with a DI box

All Bands

Always have plenty of duct tape! This stuff can get you out of some major jams!

I have not covered everything that can go wrong with your gear at a show but hopefully this will spark some ideas of the things that you can do if your gear fails. Put together your Musicians First Aid Kit in some sort of tool box or fishing tackle box. If you are prepared when things go wrong at your gigs (and believe me they will) it is no big deal. If you are not prepared you will look like an amateur and remember you never know who is out in the audience watching. Good luck and happy gigging!

Steve Veloudos is the owner of http://www.zebramusic.com

Steve is devoted to helping musicians and bands further their careers in the music industry. Stop by his web site and subscribe to the free Musicians Tip Sheet. The Tip Sheet includes industry contacts, and many other items designed to advance a musicians musical career. Subscribe to the newsletter by going to: http://www.zebramusic.com

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Easiest Keyboard Collection: " Coldplay " (Easiest Keyboard Collection)

Running is one of the best routes towards losing weight and increasing fitness, not only this but it is absolutely free requiring no monthly gym membership. However, if you choose to run to lose weight or increase fitness, and not for enjoyment then you run the risk of becoming bored. Here are some tips for making your jog/run more interesting and keeping you focused.

Warming up before you run prepares you body for the exercise ahead, thus keeping the fatigue away for longer and decreasing the chance of you giving up too early. Try to change your warm up routine on a weekly or two weekly basis. Further to this if you are new to running then start off slow, exhorting yourself in the first five minutes will tired you out and drain you for the remainder of the run.

Listen to music, it will not only prevent boredom is but it will divert your attention from the sensations of fatigue. Keep the music on your MP3 player up to date and create different playlists to suit your different moods. Studies suggest that music can be stimulating so turn on upbeat dance music and try to synchronize your steps with the beats of the music, build up a rhythm to the music. When using a music player I would suggest using a holder for it, such as the arm band holders on the market at the moment,

Where you jog also has a big impact on your interest levels; if you have been jogging the same route for the past two years then get a map, have a look at all the nearby parks, points of interest or training grounds in the near vicinity and try them all out. Not everyone is affected by their route, but having new surroundings and terrain to cover can often make a run more interesting, and challenging. Don't always opt for the easiest route either, choosing a route which covers stairs or a hills something that although tiring will be very rewarding once you have mastered it; think of the scene in Rocky with the stone steps.

Whilst out, it is a good idea, to not only break your run up a bit but to also increase your performance, to set yourself goals; even if it is to sprint as fast as possible to the next tree or to improve upon your normal time. This will not only make your run a bit more interesting, it can lead to you improving your overall performance. If you find yourself very tired during your run, try to focus on different points on the horizon, focus on reaching them, once you have stop for a 20 second breather and find another spot and repeat the process.

If you often cut your run short due to fatigue or plain laziness then get a friend to jog with you. Having a running partner sharing the same goal will keep you both motivated, having someone to speak to will also help to distract you from your tiredness.

Find a running mate then log onto http://www.fillmytime.com for free and find others in your local area.

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Have you ever gone into an audition and thought to yourself I should have come in better prepared? Every teen I know, who is involved in auditioning for theater, has voiced this to me over the years. There are some very simple procedures that will allow you to come out of every audition feeling as if you have done your best. From my experience, this is all an actor can expect of his or herself. It should be the focus of any audition you attend. Here are the ten things to keep in mind for that feel good experience after each audition. Make them a habit. Follow them each time and you will feel like a winner, whether or not you get the part.

• Become familiar and learn a much as possible about the audition requirements before going to the audition, then practice, practice, practice.
• Choose age appropriate monologues and audition songs, if required.
• Make eye contact and greet the panel warmly as soon as you enter the audition room.
• Smile, relax and be yourself.
• If you are singing, go directly to the accompanist with your clearly marked music and if you need to instruct them as to the tempo, sing a few bars softly...do not snap your fingers.
• Introduce yourself and the material you will be performing in a confident, clear voice.
• Memorize the names of the composers or playwrights who authored your selections.
• Pause in between pieces, but practice before hand to stay within the allotted amount of time, if there is one.
• Be sure to understand the play from which a monologue or song is chosen in the event the director asks you questions about the show.
• Thank the panel when you finish your pieces, smile and pause briefly for any additional instructions from them, but do not linger in the room.

Keep in mind that every audition, in reality, is a job interview and that you are being observed from the minute you walk into the audition room. Take the opportunity each time to demonstrate not only your talent, but your personal characteristics. Let your personality shine through, and remember that the casting director and audition panel are not there to judge you harshly. They are there to do their job, which is to cast a show to the best of their ability. Learn to take auditioning in stride, as this is part of an actors life. If you decide to work professionally, it is something you will be experiencing for a long, long time. Take it seriously, but have some fun, too. Break a leg!

Beverly Stone has volunteered with a performing arts kids group for the past ten years. During this time she has worked in various capacities on the production of many shows but her main job has been to facilitate the training of the group's members. Many of these kids have gone on to become professionals, several of them are currently on Broadway. She recently decided to bring her knowledge online and created a Website and Blog which serves as a guide for kids and teens interested in singing, dancing and acting. She is dedicated to young people who are interested in training to work in professional theater by becoming "triple threats". http://www.musical-theater-kids.com

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In many years of arranging jazz bands for all sorts of events I am struck by the similarity of how the request is made by most of our clients.

It goes something like this: "We are looking for a jazz band to play at our wedding / book launch / family fun day / sixtieth birthday/ store opening etc.""oh yes, we say, what style of jazz band ?""Er, not quite sure. What styles have you got?"

It was because of this exchange I felt this article would be helpful in choosing the right kind of jazz band for your party, celebration or event.

Rather than go through a history of the development of jazz from the purists angle it would be easier to list a number of types of event and match them up to styles of jazz band with a short description of the jazz band most likely to suit the occasion. Lets start with the wedding.

You are most likely to want a jazz band at your wedding at two points in the days proceedings.

The reception. You and your partner have just left the church and your guests are nearly back at the place you have chosen for the celebrations. What better way than to have them met by a jazz band.

As champagne and Pimms is handed out the band just adds a perfect happy backdrop to the moment. There are two main types of jazz band that can suit the moment:

A Dixieland band or a swing band.

Dixieland Jazz. This is jazz from the early twenties. The musicians will happily dress up in stripy blazers or waistcoats and play lovely old jaunty tunes from that era such as When the Saints Come Marching In The Charleston Bill Bailey Wont You Please Come Home and Five Foot Two Eyes Of Blue. The instrumentation is usually banjo, sousaphone (a tuba that you can wear) and a frontline instrument or two such as trumpet, sax or trombone. The band is mobile and acoustic and can move around the site entertaining guests in different locations. Artists associated with the genre include Louis Armstrong, Bix Beiderbecke and Fats Waller.

Swing Jazz. Names of musicians associated with this style of jazz band are Glen Miller, Benny Goodman, Duke Ellington and Count Basie. The music is mainly from the late thirties and early forties and is very melodic. Ella Fitzgerald started her career at this time in Harlem and had great success with the Chick Webb band. The jazz band will probably play lots of tunes from Broadway Shows from the time such as Funny Valentine It Had To Be You Making Whoopee It Don`t Mean A Thing If It Ain`t Got That Swing. This jazz band can be acoustic but will probably include an electric piano, which the musicians will supply along with a speaker. They will need a power supply and logistics of this must be taken into consideration when choosing the jazz band. Are your guests near a power supply, is the reception indoors or outdoors, how does the weather
forecast look? Finally, how big should the jazz band be? For both styles a trio or quartet will be fine.

After the Wedding Breakfast. Your guests have sat through a gargantuan meal, fine wines and various speeches including a slightly embarrassing one from the best man! They are ready to stretch their legs, use the loos, have a cigarette and carry on chatting to old friends who they may have not seen for some time. They are not yet ready to dance. Your jazz band should know this and should be playing suitable accessible tunes in an unobtrusive way. You don`t want a modern jazz band at this point. Known variously as Be-Bop, Modern Jazz, West Coast and played by such artists as John Coltrane, Charlie Parker and Dizzy Gillespie, this is music for the concert hall or jazz club. You want sophisticated smoky tunes, maybe with some vocals such as Let there be love The Girl From Ipanema My Baby Just Cares For Me. Artists associated with this kind of jazz include Stan Getz, Billie Holiday and Nat King Cole. Maybe also think about some Rat Pack tunes that the likes of Frank Sinatra and Dean Martin performed.

Music for dancing. If you are set on having a jazz band for the dancing ask your jazz band how many styles of jazz and swing can they perform. A jazz band that plays swing tune after swing tune all night is going to lose the attention of your guests. Variety is the key. I would suggest a mix of Latin, Jump Jive, swing, old style Rhythm and Blues and even Funky jazz bordering on Soul. Not many jazz bands can handle this variety. Ask at the point of booking what the jazz band proposes to play at this point. Do they have a suitable vocalist/vocalists? Can they play segue (one song after another) to keep guests on the floor.

My opinion based on many years playing for such parties is this. However much you love Jazz, Swing, call it what you will, at some point in the proceedings some one will want to dance to some classic soul or rock and roll. It is inevitable, it always happens. I see it week in and week out, year in and year out. When I have been employed as a trombonist to play in another bandleaders band at such an occasion it saddens me that the bandleader has not made provision for such an eventuality. It results in unhappy clients and frustrated revelers. Please take note if you want a full dance floor!

Next we come to the corporate reception. This manifests itself in many guises. It could be a jazz band for a book launch, a jazz band for a thank you drinks party, a jazz band for a reception prior to going into dinner. Last year an insurance company asked me for a number of jazz bands that could play for the giving out of its employers bonuses! We had never seen such happy parties and not a drop of alcohol in site!

Think what is being asked of the jazz band in question. The band is being asked to reflect something of the company, a sense of fun or sophistication for the event. Attention needs to be focused on how you want the band to dress. Tuxedos? Lounge Suits? Are your guests networking or being thanked for their years business? Most bands that get asked to do this type of work need to be impeccably dressed and have a sense of the occasion. They need to appreciate that guests are there not just to listen to them but for all sorts of
other reasons. A quiet background Dinner Jazz band lends just the right tone to this type of engagement. Loud enough to create a mood but not to drown out what maybe very important and lucrative conversations! The style of music will be Bossa Nova, light swing and Lounge. In my experience a quartet or quintet is a perfect size band. Vocals are unnecessary and can distract your guests.

Store openings. Every year we open or reopen a number of supermarkets, computer shop outlets, video and dvd stores all over the country. The jazz band has always been a visual and audible part of the promotion. The jazz band in question tends to be a Dixieland trio or quartet. They are perfect being, as we read above, acoustic and mobile. The music is optimistic and uplifting and with a sense of fun. The jazz band dresses in stripy outfits, which help create the right mood for the day.

Corporate Entertainment. This is a large term and covers anything from Henley, Ascot, Car Racing days, as well as themed events in spectacular settings. The Dixieland band is perfect for the almost period feel of Henley and the swing band works just as effectively. Think Dixieland jazz band for happy, spirited, fun image. Swing jazz band for a more sophisticated, laid back and chilled vibe. Do you want your guests to dance? This can be quite rare. Decision makers tend not to break into a frenzied bop half way through the afternoon! However if family members have been invited this is quite common. A Latin Jazz band can be very effective in this situation and it is difficult to ignore the infectious beats.

A note of caution. Is your event for a number of dignitaries and celebrities? If so they will not want to be photographed by the jazz band or even talked to by the jazz band. You need a band with a certain discretion or, dare I say, a certain blas` approach to the world of celebrity. As a musician I come across stars of stage and screen, royalty, politicians, public figures and minor soap stars every month and I think it is appreciated when they are given a certain amount of space and not ogled. Use a jazz band who are used to playing for such audiences. They need to be sociable, articulate, smartly turned out and not fazed when approached by a familiar face!

Time for a recap:
1. Choose the jazz band from the perspective of what is required from them. Do you want background music or do you want to dance?

2. How many guests do you have? Is the band the right size? Is it dressed correctly?

3. Is the band outside? Do you have access to power? Can they play acoustically if need be?

4. What tunes can they play? Ask them for a repertoire list, do you recognize the . titles?

5. Are they professionals? This may seem obvious but there are many musicians out there who have retired from full time work or are in between jobs and are making their hobby a source of income. How long have they worked as professionals? Who have they played with in the past? What experience do they have in performing for the type of event you are having?

6. Ask for a sample cd. What is their publicity like? You need to be confident that you are getting a reliable professional outfit that will turn up in plenty of time, look the part, be totally co-operative to your needs and play suitable music. The right jazz band can make your party, the wrong one can spoil it to some lesser or greater degree.

7. Are they flexible? You do not want to find out half way through a dance that the band you have booked can only play one style of jazz. Ask them when you are considering booking them. Can they play some Classic Soul? Can they do some Latin tunes? Dont be fobbed off with We do a bit of everything Ask them for a repertoire list.

8. Discuss a rider with the band. Are you supplying refreshments for the jazz band? Although not expected refreshments are very much appreciated especially if the band is on site for a while with no access to food and drink. If it is not convenient dont worry. If the jazz band knows in advance they can make their own arrangements.

9. Have you articulated to the band what type of music you want to hear? Dont worry if you are not knowledgeable about jazz. Tell the jazz bandleader or agent the tunes you like and the artists you like. This will give the leader/agent an excellent idea of which bands to recommend. Look through your cd collection for ideas; ask friends and family for suggestions. When the jazz band turns up it will be properly briefed and able to give the performance you wanted.

About the author
Jeff Williams is a London based trombonist and vocalist who has worked all over the world in most areas of the business. He also runs a successful, specialist, live music agency using the best of London musicians, servicing both private and corporate clients playing all over the country. He would be happy to advise you with your own event or party and offers bespoke solutions for the perfect occasion.

Contact him on +44(0)20 8761 8932 or +44(0)7747 801471Email him on bonejeff@aol.com

Visit the website http://www.jazznotjazz.co.uk

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